Album Reviews

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Michael Fremer  |  May 01, 2010  |  0 comments

I once pissed next to Dave Mason in the Cambridge Boathouse bathroom back in 1970 something. That has nothing to do with this review except that it’s a review of a Traffic album and Dave Mason was in Traffic but you wouldn’t know that from the cover of their first American album.

Mark Smotroff  |  Aug 26, 2022  |  20 comments
In May 1969, The Who’s Tommy was a near instantly iconic release which — in a make-or-break moment — stabilized the then-precarious career of Britain’s now legendary rockers. As one of the first rock operas — and still one of the best and most successful of them — Tommy caused quite a sea-change in the pop/rock music world by opening new doors and possibilities for composers, producers, and fans alike, and its impact is still felt to this day. The good news is, Tommy has just been reissued by Polydor/UMC in a quite wonderful half-speed-mastered 180g 2LP edition. Read on to find out exactly why this version of Tommy belongs in your collection and on your turntable, post-haste. . .

Michael Fremer  |  Feb 01, 2006  |  0 comments

Considered a sprawling, self-indulgent mess when first released in 1967 (RCA LOP-1511 mono/LSO-1511 stereo), and a warning to other bands and to record executives footing the bills for unlimited studio time (even the extra dollar added to the list price couldn't have paid for the studio time), After Bathing At Baxter’s has worn remarkably well, and in retrospect is a powerful, smoldering document reflecting a chaotic, violent and dangerous time in America—the kind of time we’d be having now if people would fucking wake up and smell the fascism.

Michael Fremer  |  Feb 01, 2009  |  0 comments

You can bet this blistering, groundbreaking jazz-rock fusion album from 1971 spun Jeff Beck’s head around big time, turning him from heavy metalist-rocker (his version of The Yardbirds’ “Shape of the Things to Come” on the Jeff Beck Group’s album Truth is arguably the first “heavy metal” rock arrangement) to the jazz-fusionist he became on Blow By Blow. Others followed too, of course.

Michael Fremer  |  Jan 25, 2019  |  5 comments
Darkness into Light, Evil into Good, Ugliness into Beauty, Ignorance into Knowledge, Confusion into Certainty, deliverance from oppression (and the other way around) and simultaneous alternative realities are familiar transformative comic book and biblical themes (Shorter is a known comic book fan; not sure about his biblical proclivities).

Michael Fremer  |  Dec 01, 2006  |  0 comments

Decide for yourself whether The Lovin’ Spoonful took their name from Mississippi John Hurt’s “Coffee Blues” (not to mention the tune for “Darlin’ Companion”) but fans of Taj Mahal will have no doubts about this gentle soul’s influence on Taj when you hear this earlier take on “Corrina, Corrina” and compare it to Taj’s on The Natch’l Blues (CS9698).

Michael Fremer  |  Aug 23, 2012  |  7 comments
Watching the aged PBS fund raising audience creep ever closer to my demographic has been a thirty year creepy creep. First it was fund raising aimed at the WWII big band consuming generation.

Michael Fremer  |  Sep 09, 2016  |  27 comments
Analogue Productions recently completed one of the major reissue projects in modern vinyl playback history with the release of the final eight Beach Boys albums in both mono and stereo.

Michael Fremer  |  Mar 20, 2015  |  68 comments
Only one of them had actually ridden a surfboard. They weren’t hot rodders or drag racers and by the time the group formed in 1961 lead vocalist Mike Love was already 20 years old and arguably more a man than a “boy”. Al Jardine was 19 as was Brian Wilson. Brothers Dennis and Carl were, respectively, 17 and 15, so they qualified as “boys”.

Mark Smotroff  |  Dec 09, 2022  |  6 comments

Two often overlooked albums by The Beach Boys are the main focus of a fantastic new 180g 5LP+1EP box set, Sail On Sailor – 1972, which features the band’s landmark 1973 album Holland plus 1972’s under-appreciated and much misunderstood Carl And The Passions – “So Tough” to form the heart of this excellent new collection buttressed by a previously unreleased, complete, of-era 1972 live performance from Carnegie Hall. Read Mark Smotroff’s thorough review of this truly special box set-cum-document of an artistically transformative, often powerful, and at times remarkably hard-rocking period for a quintessential Southern California band looking for — and ultimately reaching the summit of — some creatively fruitful new horizons. . .

Mark Smotroff  |  Jul 01, 2022  |  13 comments
Reviewing The Very Best of The Beach Boys: The Sounds of Summer, the massive new 60th Anniversary 180g 6LP Beach Boys box set retrospective from UMe/Capitol/Brother Records, has been a daunting yet fun challenge. That said, having its contents mixed and mastered by the band’s longtime engineer/archivist Mark Linett has enabled a remarkable continuity from track to track — no small task, given the diversity of music and technological differences in recording across a 60-year period.
Michael Fremer  |  Jan 26, 2016  |  25 comments
Music re-mixes may not be as complicated or as critical as brain surgery but when it comes to The Beatles, you could make the case.
Michael Fremer  |  Nov 15, 2019  |  26 comments
The Beatles The Singles Collection arrived the other day and it was opened with great anticipation and the embedded YouTube video was quickly produced in a single take before listening to a note. As you'll see when you watch, the packaging is "top shelf" and imaginative and Kevin Howlett's booklet notes are illuminating and useful. Using original artwork from around the world was a nice touch that every Beatles fan with appreciate!

Michael Fremer  |  Dec 23, 2016  |  21 comments
The just released (November 18, 2016) six LP box set of the four Brahms symphonies recorded direct-to-disc performed by Sir Simon Rattle and The Berlin Philharmonic before a live Philharmonie audience is as meticulously produced and presented as its existence is unlikely.

Michael Fremer  |  Jun 01, 2020  |  34 comments
Last May 11th 2019 guest conductor Bernard Haitink conducted the BPO in his final performance with the orchestra. At the time plans were made to record the performance of Bruckner's 7th symphony "Direct-to-Disc" neither the orchestra nor the conductor knew it would be their last collaboration. Haitink announced his retirement shortly after the concert.

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