Cambridge Audio's Duo is a compact, attractive, lightweight (2.1 Lbs) low priced phono preamplifier that will surprise you with its solid sonic performance as well as its low price. It certainly surprised me! It also features a headphone amplifier so it makes for a great desktop or dorm room accessory.
The veneer wrap of products from the Japanese manufacturer Aurorasound greatly resembles that of a 1975 Lafayette integrated amp — but that’s certainly no reason to discount this fabulous machine of theirs we see here before us today, the MkII phono preamp. Read on to see how well the Aurorasound VIDA MkII fared when our ace reviewer Ken Micallef cued up a number of his favorite LPs in order to hear just what it could do. . .
CiAudio (better known as Channel Island Audio) is an American-manufacturer of high quality, moderately priced electronics that you can explore at the company’s website. The PEQ 1 MKII is built to an unexpectedly high standard given its $995 price tag and American heritage.
The outside is a sturdy milled aluminum chassis unusual at this price point as are the highest quality panel mounted Cardas™ RCA jacks. Inside is a dual mono design with each input jack going to an identically laid out, independent mono circuit, which helps to eliminate crosstalk.
Hand-built in Kent, England, Classic Audio’s MM PRO by Michael Fidler phono preamp is a pint-sized bruiser that packs a real punch. This little box — no bigger than a Samsung Galaxy Z Fold phone tucked into a Band-Aid tin — is a serious piece of kit hiding inside a sandblasted aluminum frame. Read Ken Micallef’s review to see if Fidler’s MM PRO makes the grade in terms of clarity, separation, and broad soundstage performance. . .
At a hi-fi show in Germany a few years ago, an audio club had set up a room filled with a dozen well-known turntable/tonearm combos. I recall seeing the Clearaudio/Souther, Immedia RPM-2 and arm, VPI TNT Mk.IV/JMW Memorial, Basis 2500/Graham 2.0, Oracle/Graham, Linn LP12/Ittok, SME Model 20/SME V, and some others I can't remember, including a few not exported from Germany.
First released in 2010, Parasound’s JC 3 MM/MC phono preamplifier began as a dual-mono John Curl-designed phono section retro-fit for its JC2 line stage. With vinyl’s popularity on the rise, Parasound’s Richard Schram figured a stand-alone version priced right might find an audience.
ELAC Alchemy designer Peter Madnick is well-known to veteran audiophiles as the man behind, among other companies, Audio Alchemy, the “high end” brand that during the 1990s made high performance affordable. With Madnick designing and the business side run by Mark Shifter—a guy who could sell ham to a Hasid—Audio Alchemy had a formidable, decade long run before it folded.
Here’s a comparison of eight phono preamplifiers incorporating a variety of features and ranging in price from $399 to $4500. The adjacent “vote” story includes files made using each of them so this write-up will not contain sonic comparisons. Those will follow when the voting closes. When that happens depends upon how many readers participate and how quickly they vote.
While in excess of 6000 people read the story and many thousands downloaded the files, for some reason fewer than 100 analogplanet.com readers chose to vote for which phono preamp sounded best reproducing a short segment of Mehmet Ali Sanlikol's big band album what's next.
The Gold Note PH-5 phono preamp comes ready to do the job at hand with nine impedance inputs, four gain options, and a choice of using either an MM or MC cartridge with it — plus, the PH-5 offers three separate EQ curves, something we’ve yet to see at this price point. Read Ken Micallef’s review to find out if the PH-5 was indeed able to deliver clean, smooth, and well-balanced sound and a deep soundstage. . .
I don't know Graham Slee from Gram Parsons, or which House he was in at Harry Potter's Hogwarts School, but let me tell you: If you'd just been listening to a bunch of budget phono preamps, as I had, then came upon the GSP Audio Era Gold Mk.V, you'd think someone had switched out not just the phono preamp but your entire system. You might think you were listening to a different pressing or a different cartridge. How can this be?