Turntable Reviews

For vinyl lovers, it’s important to know that Wilson-Benesch first began in 1989 as a start-up dedicated to building a turntable simply because it felt vinyl was a superior medium compared to CD. For that reason alone, the company should be venerated. W-B argued that new, emerging technologies like carbon fiber could further elevate vinyl playback.

Spend some time with Pioneer’s PL-30-K automatic turntable ($349 MSRP/$300 “street price”) and you’ll quickly realize it’s not a “throwaway” turntable put together in haste by a company keen on “cashing in” on the vinyl resurgence.

Another listen to Music Hall's MMF 11.1 turntable? Wasn't one full review sufficient?

Off the audiophile pedestal and into the “real world” we go, with a review of Audio Technica’s easy to set up $250 AT-LP120-USB turntable.

Zorin Audio is a China-based company producing a series of tone arms and turntables that last year at an audio show impressed visually. The machining appeared superb and the designs sensible, but with sufficient innovation to draw my interest.

What do you want from a 21st-century record-playing device? I hear you: you want one that's compact, well-made, easy to set up, holds its setup, sounds great, and doesn't cost a lot.

Andy Payor hurls a briefcase full of engineering and scientific mumbo-jumbo at in an attempt to justify the $73,750 price of the latest and greatest edition of his Rockport Technologies turntable, but really—isn't this all-air-driven design a case of analog overkill? After all, defining a turntable's job seems rather easy: rotate the record at an exact and constant speed, and, for a linear tracker, put the stylus in play across the record surface so that it maintains precise tangency to a radius described across the groove surface. By definition, a pivoted arm can't do that, so the goal there is to minimize the deviation. That's basically it. Right?