Mike Mettler

The longevity of Blondie is proof of the triumph of substance over image. The new-wave icons made quite a name for themselves when they emerged as the platinum-blonde darlings of the New York scene in the 1970s, unabashedly buttressed by the can’t-look-away visual iconography of lead vocalist/songwriter Debbie Harry — but they also had a special knack for transmogrifying the aesthetics of punk, the tenets of bubblegum pop, and their own deep-seated performance chops into something new. The first phase of Blondie’s career is now properly feted in Against the Odds 1974-1982, a massive 10LP/1EP/1 7-inch 45 Super Deluxe Collector’s Edition box set. Blondie drummer Clem Burke got on the line with AP editor Mike Mettler to discuss how the box set came together and why it acts as a “muse” for the band today, how the 7/4 shift in the back half of “Heart of Glass” gave an extra dimension to such an indelible No. 1 song, and how important producers Richard Gottehrer and Mike Chapman were in capturing the Blondie sound in the studio — and, of course, much, much more. . .

As we enter the final home stretch of the holiday season, and — c’mon, fess up now — you’re still contemplating gift-giving options for those on your list at this late hour, we here at AnalogPlanet thought we’d lend an eleventh-hour helping ear, er, hand. To wit: We’ve compiled a hopefully helpful list of analog gear, LP, and box set-related suggestions for anyone and everyone on your list, whether they’re budding analog-audiophile newbies, inveterate collectors, discerning listeners, or hardcore gearheads. The bottom line is, all analog-comers are welcome here on AP, and now it’s time to add some much-better-than-fruitcake ideas into the holiday shopping mix. Read on to find out what we feel are some of the most wonderful — and quite affordable — holiday options for one and all. . .

It’s a constant internal struggle we analog audiophiles face on a daily basis in terms of balancing our lofty hi-fi listening goals, system performance expectations, and overall playback aspirations with our concurrent desires to bring as many new converts into the analog fold as we can. Often, we find it downright difficult to manage these proclivities when it comes to separating the ideal from the real without giving off an air of superiority that leads us to appear to others as, well, a bit too exclusionary — all the more reason why a burgeoning new company like Dum Audio has arrived at the exact right place at the exact right time to help bridge that gap for us. Read on to find out how Dum Audio seeks to do just that with what they quite austerely call The Turntable and The System. . .

Kenny Wayne Shepherd, the pre-eminent teenage guitar phenom of the 1990s, is essentially all grown up now at age 45 — but he’s still a kid at heart, albeit with a lifetime of playing his signature blend of blues, rock, and soul well under his belt. What better way to bridge the gap between the gunslinging days of yore with the wizened experience level of the here and now than with Trouble Is… 25, a complete re-recording of the Kenny Wayne Shepherd Band’s platinum-selling sophomore album Trouble Is…, which was originally released in October 1997 on CD and cassette, but never on vinyl. Shepherd got on Zoom with AP editor Mike Mettler to discuss how his dad first introduced him to vinyl, what the re-recording process for Trouble Is… 25 entailed, how sitting on an amplifier at a Stevie Ray Vaughan concert was a “defining moment” in his life, and how mindful he is of sequencing his albums for vinyl playback — and, of course, much, much more. . .