Michael Fremer

Michael Fremer  |  Apr 10, 2021  |  First Published: Apr 10, 2021  |  20 comments
Hagerman Audio Lab’s 3rd generation fully balanced from input to output 3 pound Trumpet MC combines a differential JFET input front-end with a more conventional 6 dual-triode vacuum tube (4X 12AX7, 2X 12AU7) gain/ phase-splitter/driver/output (if I misread the schematic, which is possible, Hagerman will correct me!). Each tube came fitted with a damping ring.

Michael Fremer  |  Apr 09, 2021  |  First Published: Apr 09, 2021  |  2 comments
Cleveland, Ohio based Gotta Groove Records today announced an ownership change, but it shouldn't change how the company does business, which is very successfully, or how it presses records, which is very well.

Michael Fremer  |  Apr 08, 2021  |  First Published: Apr 08, 2021  |  21 comments
Rhino releases on June 25th a box set containing re-mastered versions of Joni Mitchell's first four Reprise albums (1968-71). The date is the 3 days after the 50th anniversary of the original release of Blue, which many fans consider a pivotal album in her recording career and one of the most thoughtful musical expressions of love lost ever. It was also her final Reprise release. Blue, like albums by Nick Drake and a few others from that era continue to be rediscovered by succeeding generations of fans and musicians alike.

Michael Fremer  |  Apr 08, 2021  |  First Published: Apr 08, 2021  |  16 comments
Rhino Announces its Record Store Day Offerings For June 12th and July 17th

Michael Fremer  |  Apr 08, 2021  |  First Published: Apr 08, 2021  |  1 comments
Newvelle Records yesterday announced it was releasing as a "stand alone" LP from the 4 LP New Orleans Collection Irma Thomas' remarkable Love Is The Foundation.

Michael Fremer  |  Apr 05, 2021  |  First Published: Apr 05, 2021  |  26 comments
When readers ask why “they” no longer manufacture a really high quality moving magnet cartridge, I respond “Ortofon 2M Black” ($695). Its nude Shibata stylus delivers great detail, it’s an effective tracker at 1.5 grams and it outputs a generous 5mVs. Plus, based on years of experience reviewing the company’s output up and down the product line, it’s safe to say Ortofon delivers build quality uniformity at every price point. Oh, and the 2M Black is a sweet sounding, spectrally well-balanced cartridge.

Michael Fremer  |  Apr 01, 2021  |  First Published: Apr 01, 2021  |  28 comments
Audio Intelligent's recently introduced AIVS Enzymatic Stylus Cleaning Formula is an enzymatic stylus cleaning solution that's alcohol-free and claimed to be 100% safe for bonded type styli like Ortofon's.

Michael Fremer  |  Apr 01, 2021  |  First Published: Apr 01, 2021  |  3 comments
Los Angeles – April 1, 2021 – Intimate, never-before-seen 8mm film footage of John Lennon and Yoko Ono Lennon captured at home in 1968 has been paired together with the brand-new Ultimate Mix of “Look At Me” for a thrilling new video. Filmed by camera operator William Wareing and his crew, the video features black and white and color footage on “home movie” Standard 8 film filmed between takes of John and Yoko’s films, “Film No. 5” (“Smile”) (conceived by Yoko) and “Two Virgins” (conceived by John and Yoko). The unearthed film reels from the Lennono archives are presented here for the first time, with the black and white and color footage side-by-side, accompanied by the stunning new mix of “Look At Me,” which is also available to stream.

Michael Fremer  |  Mar 30, 2021  |  First Published: Mar 30, 2021  |  13 comments
Classic Records Founder Mike Hobson and Acoustic Sounds/Analogue Productions/QRP Founder Chad Kassem reminisce about the "old days", and the beginnings of Classic Records, which in 1993 when almost no one was making vinyl, decided to manufacture great records—and maybe even sell a few.

Michael Fremer  |  Mar 29, 2021  |  26 comments
The beating heart of this remarkable collaboration between electronic musician/composer Sam Shepherd, better known as Floating Points, saxophonist Pharoah Sanders and The London Symphony Orchestra is a repeated series of ethereal drops of glistening arpeggiated sonic dew Shepherd plays on synthesizer, piano and what sounds like a harpsichord over which Pharoah Sanders delicately flutters and dances—only occasionally producing the voluminous blasts heard in his late ‘60s and early ‘70s albums.

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