Michael Fremer

Michael Fremer  |  Feb 19, 2013  |  11 comments
With his influences clearly imprinted on his creative sleeve, Adam Duritz and friends created in 1993 one of the last great analog rock recordings. Duritz understood that sound mattered as did producer T-Bone Burnett who continues to treasure the basic sense even when working with diminished budgets.
Michael Fremer  |  Feb 19, 2013  |  4 comments
A record label forensic specialist might be required to trace how The Allman Brothers Band ended up an Island/Def Jam property issued on Mercury Records, all now owned by Universal Music Group. The original was issued in 1969 on the ATCO division of Atlantic Records. Perhaps it had to do with the sale of the late Phil Walden's Capricorn imprint, through which the ATCO deal had been made.
Michael Fremer  |  Feb 19, 2013  |  3 comments
"Record Cleaning Made Difficult", Michael Wayne's definitive and fanatical record cleaning article originally published in The Tracking Angle back in the mid '90s includes use of Allsop's no long in production Orbitrac™, which was a pad based cleaning system that fit over the turntable spindle, allowing you to easily rotate it around the record.
Michael Fremer  |  Feb 15, 2013  |  4 comments
Everything from Nevermind to Damn the Torpedoes was recorded at Sound City. Everyone from Fleetwood Mac to Neil Young recorded there. Now analog tape based Sound City is gone. What a shame.
Michael Fremer  |  Feb 15, 2013  |  5 comments
If you didn't buy the deluxe Pink Moon box set reviewed here by Randy Wells, you are in luck: the upcoming domestic UMG standard reissue, selling for far less, will still be pressed at Optimal in Germany, mastered AAA at Abbey Road, just like the deluxe box set's LP.
Michael Fremer  |  Feb 15, 2013  |  4 comments
Ella's lushly orchestrated songbook albums were popular when first issued in the '50s and '60s and again more recently as reissues. They were not just popular. They were transformational, whether she was re-interpreting Cole Porter, the Gershwins, Ellington, Irving Berlin or Jerome Kern.
Michael Fremer  |  Feb 13, 2013  |  10 comments
I was alerted to a terrific BBC documentary currently on YouTube about the "golden age" of vinyl.
Michael Fremer  |  Feb 12, 2013  |  5 comments
The long awaited announcement came today of VH1 Classic's new television series "For What It's Worth" starring Gary Dell'Abate and Jon Hein. The series premiers Thursday February 10th, 2013 and will continue weekly on Thursday evenings through March.
Michael Fremer  |  Feb 11, 2013  |  2 comments
Yes, yet another Thelonious Monk reissue review. What can I tell you? Love that Monk. Criss-Cross with the same quartet (and in serious need of a reissue) was the second jazz record I ever bought and it made an even bigger impression than Coltrane's My Favorite Things, which was my first.
Michael Fremer  |  Feb 10, 2013  |  12 comments
While his solo career is littered with covers, on this new Bryan Ferry album, the covers are of his own songs performed instrumentally with "The Bryan Ferry Orchestra", a 1920's style emulation.

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