Michael Fremer

Skating, a pivoted tonearm’s tendency to “skate” towards the record center is real, is not created by “centripetal force” and is not best ignored because compensating for it somehow worsens sonic performance.

If you do not apply some kind of skating counterforce, the stylus will ride the inner groove throughout the record side, producing uneven record and stylus wear. And it can’t possibly improve record playback sound.

Record weights and clamps cause a sonic difference that’s difficult neither to hear nor to explain. A stylus coursing through the grooves stamped on a slab of vinyl releases a tremendous amount of mechanical energy, some of which does not exit the system as it’s supposed to: up the cantilever. Instead, it gets reflected back into the vinyl, where it can cause the record to resonate unless it’s damped in some way. There is also potential vibrational energy coming the other way—from the tonearm, the motor, and the bearing—but the better your arm and turntable, the more likely that the problem that needs solving is that of vibrations coursing through that thin slab of vinyl.

This just in: Pat Metheny’s complete ECM catalog of 11 albums, which includes Bright Size Life, Offramp, and 80/81, will be available for the first time on July 31st as high-resolution masters for download and streaming.

According to Accentus Music, which will release this 3 LP 45rpm direct-to-disc set, the 1,111 copies limit has no particular significance. It just seemed like a 'nice number'. The significance I see is that it will probably quickly sell out!