This extraordinary blues festival staged on an athletic field at the University of Michigan, Friday through Sunday August 1-3 in-between the moon landing and Woodstock, was almost lost to time—except to the 10,000 or so mostly white high school and college kids lucky enough to have the good fortune (and taste) to attend.
Memphis based "garage rocker" Jack (Yarber) Oblivian, formerly with Johnny Vomit & the Dry Heaves among other groups, recently released this adrenalin charge on Black&Wyatt Records and someone (I don't know who) sent it my way thinking I might like it even though the sound is, let's say "primitive" (no top, not much bottom, just some stuff in the middle) in a good way (some recorded to 4 track M.C.I.) but all of it purposefully squashed in a way that sort of reminded me of Don Van Vliet ("Sweet Thang"), but maybe that's because in some ways the performances did too, though it's far more punk-rocky and less bluesy.
David Bowie's 1999 VH1 Storytellers appearance before invited guests in an intimate setting and recorded August 23, 1999 at The Manhattan Center's Grand Ballroom was first issued on CD/DVD and as a download 10 years later. Now, 20 years later Parlophone will release the most complete version will be released on a limited edition 2-LP set October 11th.
The misaligned stars leading to yesterday's Dolby screening room software malfunction (you know the story), aligned today. I was on 58th and 3rd at Innovative Audio to spin vinyl and Guy Hayden was just finishing up today's three Abbey Road 50th Anniversary Edition demos (which went off without a glitch).
Hayden emailed asking if there was a chance I could return to the screening room on 58th and 6th Avenue for a proper stereo mix listen. He didn't know I was right down the block! Unfortunately time was too tight for me to get up there, listen and return to Innovative for the 5:30PM event start time so Hayden generously offered to bring the set to Innovative so I could listen on a proper hi-fi system, which seemed like the ideal way to listen to any version of Abbey Road.
This morning at mid-town Manhattan's Dolby Theater (1350 6th Avenue) I got a chance to hear excerpts from Giles Martin's new 50th Anniversary Abbey Road remix in the small, 24 seat screening room filled with invited press, SiriusXM Beatles channel people, others, and members of Ringo Starr's band who were in New York, having played there the previous evening.
Mind-Pop Revolution's Presslift is a complex, approximately 1.6 pound machined brass record stabilizer that is also designed to act as an end of side tone arm lift.
Turbenthal, Switzerland based HiFiction precision-manufactures Thales tangential tracking pivoted pick up arms, battery powered turntables and most recently acquired and now manufactures in-house EMT phono cartridges and a new MC step up transformer.
This was designer Micha Huber's original tangential pivoted arm design, Fremer described in his review as looking like "a tonearm balanced on the end of a seal's nose. (Photo: Michael Fremer)
This coming Tuesday evening August 20th 5:30PM-9PM please join me at New York City's Innovative Audio for an evening of vinyl record spinning on a fine audio system. I'm bringing some great records from my collection including multiple versions of the same recording so guests can hear what good and bad mastering can do to sound quality and musical satisfaction.
The Beatles Abbey Road gets the expected 50th anniversary treatment on September 27th UMe announced today, which coincidentally is the 50th anniversary of the famous walk across the street photo shoot that became the iconic album cover.
Last April, the iconic, innovative and internationally renowned force in avant-garde music The Art Ensemble of Chicago released their 50th anniversary celebratory album We Are On The Edge. Erased Tapes just issued two vinyl editions of this release, one a double LP studio session featuring a newly assembled group of musicians performing new versions of works spanning the past 50 years, some never before recorded, plus new compositions. The second set is a 4 LP special edition that also includes a live set recorded at Ann Arbor, MIchigan's Edgefest, the annual experimental jazz and creative new music festival.