Back in 1999 I reviewed in Stereophile the KR Audio VT 8000 monoblock vacuum tube amplifier. I wrote in the review: "Virtually every part in the amplifier is custom-made in-house or sourced from associated facilities, including the metal fabrication, the transformers, and the circuit boards. The internal wiring is Swiss in origin. And, of course, the vacuum transducers themselves are made in-house by hand, and that includes all of the tiny internal components, which are stamped out one at a time by hand on dies custom-machined in-house. Even the glass for the tubes is turned and formed by hand. If I hadn't seen all of this with my own eyes, I wouldn't have believed it."
The term "hearing aid" strikes terror into the hearts of audiophiles of all ages. Glasses? OK. But "hearing aid"? No one wants to admit to needing one so that's why you need a set of DUBS Acoustic Filters now.
Following Munich's High End 2014 show I flew to the U.K. where I met up with Chad Kassem and Chad Stelly of Acoustic Sounds, the new American SME distributor. On Monday, May 19th we took a train to Shoreham by Sea to visit turntable and tonearm manufacturer SME.
During the late 1940s, ‘50s, ‘60s and ‘70s American jazz musicians and groups toured Europe and the world, usually to greater appreciation and acclaim than they received back home. Sad but true. Some moved overseas where they were treated with greater respect than they received at home but that’s another story.
After visiting the U.K. after Munich's High End show, I flew to Amsterdam. Record Industry pressing plant owner Ton Vermuelen picked me up at the airport and drove me to the Haarlem-based pressing plant he owns.
After the Munich High End Show I went to the U.K. on some other business and while there paid a visit to Electric Mastering, the parent company of reissue label The Electric Recording Co.