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Joseph W. Washek  |  Apr 26, 2021  |  9 comments
Etta James was in the heartbreak business. Other singers sold sweet dreams of love, romance, and sex, but Etta James sold pain and she had an endless supply. The pain started early. She never knew who her father was. When she was born, her mother who was fourteen, abandoned her, leaving her with a childless older couple. The woman, called “Mama Lu” by Etta, became her surrogate mother, and she was loved and spoiled by her and they lived happily. But not ever after, because all was not well and never would be. Periodically, her birth mother, Dorothy, who loved the night life, would appear and take the child away. It was always the same. They would live in squalor until a few weeks passed and then, bored and frustrated with parenthood, Dorothy would return Etta to Mama Lu. The pattern continued until Etta was twelve when Mama Lu died. Dorothy appeared, told Etta that she would be living with her now, and took her to San Francisco. There, Dorothy met her brother on a street corner, left Etta with him, and walked away.

Joseph W. Washek  |  Jun 22, 2021  |  12 comments
In June 2020, Analog Planet published my article on the great audio engineer, David Jones’ Living Legends Riverside recordings of Black Traditional Jazz in New Orleans during the last week of January 1961. While researching the article, by checking records in my collection I compiled a list of Riverside albums for which Jones had been credited or co-credited as engineer.

Joseph W. Washek  |  Feb 19, 2021  |  4 comments
Tracy Nelson is such a great singer that you have to wonder why she never became a major, “you still hear her on the radio” star. Her deep, powerful, soulful voice is instantly recognizable whether she is singing, rock, country, r&b or blues. The usual vocal comparison is to Janis Joplin, which I’m sure Ms. Nelson got tired of hearing by the late 60s or sooner, but I’d say Nelson, while lacking the Joplin charisma, is a more subtle and technically, a better singer.

Joseph W. Washek  |  Feb 19, 2021  |  10 comments
When Chet Baker died in 1988, he wasn’t an icon of “cool,” he was a has-been. The biopic with the Hollywood star and the consistent ranking among the top-selling jazz CDs on Amazon was far in the future and long after he was gone. The New York Times obit was perfunctory, misstated his age, and devoted two sentences to his career post-1950s. Baker, in the 1980s, had been the same unrepentant, narco-ssistic junkie mess that he had been since the mid 1950s, but he was working in Europe, playing mostly small clubs, driving from gig to gig, and sleeping on couches instead of the way it had been in the ’50s in the U.S.—playing concert tours, fielding movie offers, topping the jazz polls and charts, his popularity making even Miles Davis jealous.

Joseph W. Washek  |  Jul 23, 2021  |  0 comments
On March 6, 1961, world-class tenor saxophonist and vibes player Tubby Hayes (1935-1973) regarded as the finest musician on the British modern jazz scene signed a contract to record for the U.K. Fontana label. He had previously recorded for small jazz specialist label Tempo. Though the new contract didn’t provide for an advance or a money guarantee, Fontana was a major label that issued all types of recordings and could provide for his records better distribution and promotion including possible U.S. distribution. Hayes was the first bop generation British musician awarded a major label contract. Hard as it may be to imagine today, the signing was not only jazz news, but major music news worth of a “Melody Maker” cover story.

Michael Fremer  |  Oct 28, 2016  |  73 comments
You don’t have to be Phil Spector or Brian Wilson to appreciate mono sound, as anyone who’s purchased the recent mono Beatles box can attest. When these records were originally produced, they were meant to be heard in mono both because they were played on the AM radio, which was mono and because the young people buying the music mostly had monophonic record players. Plus that is how The Rolling Stones wanted to be heard, which is the most important reason of all.

Michael Fremer  |  Jul 23, 2015  |  29 comments
Finally, here's the second part of the Roxy Music box set review. Read Part One here.

Willie Luncheonette  |  Jan 08, 2022  |  31 comments
Punk rock is a subgenre of rock and roll with roots in garage rock, but it's generally faster and more aggressive than garage. Punk was a rebellion against the hippie culture's idealism and appearance. The flower children’s righteous idea of making the world a better place was met with the stark reality of the punks' world in disarray. New York, the birthplace of punk, was almost bankrupt in the early 70's and when the Sex Pistols appeared in England, unemployment was severe with well over a million people out of work. Crime and drugs were rampant in NYC; parks were littered with used syringes. England incurred inflation, oil shortages and strikes. So bell bottoms were out, replaced by tight pants and those beautiful long locks were gone, replaced by hair cut short, and even cut off as skinhead culture emerged.

Malachi Lui  |  Sep 30, 2021  |  15 comments
Two years ago, I wrote a feature about the worst music ever, saying, “Some [bad music] is so awful that we can’t help but listen and laugh.” Our readers agreed. Of course, I left the initial list incomplete; there’s too much (mostly) hilariously awful music to consume it all at once. Now, I’ll torture myself (inviting you to join in) with more sonic excrement, excluding material I’ve previously reviewed. Let the fun resume!

Malachi Lui  |  Oct 02, 2019  |  84 comments
Bad music. We generally try to avoid it, but some is so awful that we just can’t help but listen and laugh. Typically, artists who are self-indulgent, high out of their minds, trying to be profound, and/or unaware of their skill (or drug consumption) limits create the worst music. For my monthly AnalogPlanet playlist feature, I’ve compiled for your pleasure a list of the worst music in the history of mankind. Since some of this music is only available on certain streaming platforms, I’ve included underneath each individual song or album a streaming link. It’s also worth noting the list’s strategic structure: as you keep reading the music gets worse. Read at your own risk, but if you’re willing to subject yourself to the final entry (what I believe to be the absolute worst album ever created by anybody), I guarantee you will have a good laugh. Anyway, let’s get your suffering over with and begin the proceedings right away…

Malachi Lui  |  Dec 30, 2019  |  22 comments
(This year, contributing editor Malachi Lui launches an annual segment covering the year’s 10 worst albums. And boy, are there some bad ones this year. Now let’s dive into The Year-End Garbage Can…)

Michael Fremer  |  Jan 29, 2015  |  128 comments
Why does CD sound not only annoy many people, but also cause them to not want to listen or to listen in the background while doing something else?

Michael Fremer  |  Jun 04, 2021  |  17 comments
A few weeks ago I visited a woman in Portland, OR whose husband ran tape duplication services for GRT Records (GRT owned the Chess catalog in the early 70s and provided tape duplication services for many labels).

Michael Fremer  |  Dec 27, 2016  |  8 comments
After receiving a tip and covering the modular, stackable and reasonably priced record storage racks from Tony's Woodshop I bit and bought a dozen.

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