This week, AnalogPlanet begins a multi-part exploration of Japanese synthpop pioneers Yellow Magic Orchestra (YMO). Through reviews of their core releases and YMO-era side projects, we’ll dissect how, by incorporating elements of exotica, video game music, musique concrete, and more, the trio of Haruomi Hosono, Yukihiro Takahashi, and Ryuichi Sakamoto transformed electronic music. They gained massive success in Japan but are also credited for influencing hip-hop and Detroit techno. First, however, we’ll explore the individual members’ pre-YMO work.
Pushkin co-founder Malcolm Gladwell and his friend Bruce Headlam, co-founder of music podcast Broken Record (under the Pushkin umbrella, in which they share hosting with Rick Rubin), team up to converse with and attempt to “explain” Paul Simon’s genius in “Miracle and Wonder”, a lengthy, impeccably produced multi-chapter audio biography they rightly call a “book”.
In mid-January, 2020—just as the Covid-19 pandemic began its stealthy American death grip— the subscription based vinyl-only Newvelle Records embarked on an ambitious four LP New Orleans recording project at spacious Esplanade Studios, formerly the Third Presbyterian Church in the Treme neighborhood, destroyed in 2005 by Hurricane Katrina.