Beatles

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Michael Fremer  |  Aug 29, 2014  |  65 comments
The Beatles in Mono arrived today. This evening listening will begin but this afternoon analogplanet.com editor Michael Fremer opened the box and physically inspected.
Michael Fremer  |  Aug 26, 2014  |  23 comments
A visit to Czech Republic-based GZ Media recently published on a website includes an un-captioned photo of a large stack of the upcoming Beatles Mono box sets. This has flooded analogplanet.com's "inbox" with emails from readers, some inquisitive, some hysterical and a few spewing expletives.

Malachi Lui, Michael Fremer  |  Sep 26, 2018  |  71 comments
November 9, November 9, November 9: On November 9, Apple Corps/UMe will release multiple deluxe editions of The Beatles, the seminal self-titled double album affectionately known, due to its stark packaging, as “The White Album.”

Michael Fremer  |  Apr 28, 2017  |  27 comments
Today at The World of McIntosh Townhouse Producer Giles Martin Introduced his new "Sgt. Pepper's Lonely Hearts Band" 50th anniversary stereo mix. Apple Corp and UMe introduce the new 50th anniversary box.

Michael Fremer  |  May 09, 2017  |  34 comments
It all started as a misheard request for a condiment, Paul McCartney recollects in one of the introductions to the box's sumptuously produced book. During a flight back from America, the band's roadie Mal Evans asked Paul to "pass the salt and pepper", which he misheard as "Sergeant Pepper".

Michael Fremer  |  May 06, 2017  |  19 comments
As the 50th anniversary approached of the 1967 release of Sgt. Pepper’s Lonely Hearts Club Band Apple Corps and its president Jeff Jones set about deciding how best to mark the occasion (or not).
Michael Fremer  |  Oct 05, 2014  |  19 comments
Due to popular demand, we've started a new "Beatles" site listing.

Malachi Lui  |  Nov 27, 2019  |  17 comments
Before I get further into this follow-up review, a short disclaimer: other than the US Apple/Capitol singles of “We Can Work It Out”/“Day Tripper” and “Hey Jude”/“Revolution” (which, as expected, sound lousy), I don’t have any Beatles 7” singles other than this new The Singles Collection box. All my Beatles listening is on LP (the 2014 mono series, the Giles Martin remix LPs, and a few mono and stereo UK and European pressings) and the occasional lossless digital format, therefore from these recordings I’m used to great sound quality. My expectations for The Singles Collection (generously gifted to me by AnalogPlanet editor Michael Fremer) were likely different from most others’: sure, I expected the all-analog lacquer cuts to sound good, but sound quality on 7” singles isn’t the first thing I think about. With the 7” format, it’s primarily about the musical content, collectibility, packaging (when applicable), and finally, sound quality.

Michael Fremer  |  Apr 30, 2013  |  4 comments
Woody Allen famously said "80% of success is showing up." 16 year old recording engineer/producer Ken Scott showed up at EMI Studios less than a week after writing a letter requesting a job interview. He "passed the audition" and was rewarded with a job in EMI's tape library.

Michael Fremer  |  Jun 25, 2014  |  37 comments
Analogplanet received one of the first Ortofon 2M MONO Special Edition cartridges developed by the company in cooperation with Universal Music Group as a tribute to the upcoming Beatles "Back to Mono" box set.

Michael Fremer  |  Nov 16, 2012  |  30 comments
As expected, Rubber Soul, sourced from George Martin's 1987 16 bit, 44.1k remix sounds like a CD. Why should it sound like anything else? That's from what it was essentially mastered.
Michael Fremer  |  Apr 30, 2004  |  4 comments

MF: For the most part, you chose the material; it was only a few people who…

Martin: Pretty well, pretty well. I mean the idea of Vanessa Mae doing "Because": The idea of a mini violin concerto came first, and I had to find someone to play it.

MF: But she put so much into that. Sometimes that kind of thing doesn’t work—when you try to “classical-ify” something. But that was very good.

So aside from the Beatles, who were the most memorable artists that you’ve produced? Any standouts?

Martin: Any other artists? Well, I’ve been so lucky to produce so many people. It’s difficult to name one. It’s like saying, what’s your favorite track? Obviously, Peter Sellers comes pretty high on that list. We worked very well together.

Michael Fremer  |  Jan 26, 2016  |  24 comments
Music re-mixes may not be as complicated or as critical as brain surgery but when it comes to The Beatles, you could make the case.

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