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Michael Fremer  |  Dec 16, 2019  |  22 comments
When first released in America in 1978 Dire Straits’ debut was an immediate sensation, though cautious record labels at first rejected signing the group until Warner Brothers bit. The original Vertigo release hit the U.K. earlier. Eventually, propelled by the catchy single “Sultans of Swing”, the album was Top Ten throughout Europe and much of the world.

Michael Fremer  |  Jan 05, 2020  |  10 comments
For every reason, from mastering to pressing to packaging and annotation—and pricing, Craft’s 5 LP Chet Baker Riverside box scores the highest marks.

The recent RSD mono release of It Could Happen to You—Chet Baker Sings signaled what this set might and turned out to be. For those fans who might have some of these albums on original or OJC reissues, you can be sure the audio here soundly beats those.

Michael Fremer  |  Jan 29, 2020  |  7 comments
Tenor saxophonist Jerome Sabbagh's follow up to The Turn, a duet album with guitarist Greg Tuohey arrived quite some time ago. I've been playing it repeatedly trying to get a grasp.

Michael Fremer  |  Mar 19, 2020  |  4 comments
What better time than now for the all-analog resurrection of this Chesky classic? Easter is three weeks away (though “Oh Great Mystery” is really about Christmas) and home lock down in a dreary time is here now.

Michael Fremer  |  Mar 30, 2020  |  22 comments
If you're saying Monk's creative juices had begun to dry up by the time he signed with Columbia Records and released this 1963 label debut album you'll get no argument from me. But Monk, all of 46 when this was recorded, had a secret weapon: his rock'n'roll band of the hard-blowing Charlie Rouse on tenor sax, John Ore on bass and Frankie Dunlop on drums.

Michael Fremer  |  Jun 01, 2020  |  34 comments
Last May 11th 2019 guest conductor Bernard Haitink conducted the BPO in his final performance with the orchestra. At the time plans were made to record the performance of Bruckner's 7th symphony "Direct-to-Disc" neither the orchestra nor the conductor knew it would be their last collaboration. Haitink announced his retirement shortly after the concert.

Michael Fremer  |  Jun 24, 2020  |  16 comments
Billed by his label as a “long lost masterpiece by Neil Young”, referred to by fans as “one of Young’s mysterious, great ‘lost albums’” and described by Young himself as “the one that got away”, Homegrown was recorded mostly between late 1974 and early ’75, with one track from late spring ‘74 and another from late summer of that year.

Michael Fremer  |  Jul 03, 2020  |  53 comments
What better time than during a period of self-isolation and social distancing could there be to explore Bach’s “Suites For Unaccompanied Cello”? Arguably, there’s no finer recorded performances than the ones Janos Starker performed for Mercury Records April 15 and 17, 1963, September 7-8, 1965 and December 21-22, 1965 (though some may prefer other performances by Casals, Rostropovich, Yo-Yo-Ma, etc.). I'm not here to argue with you. The finest version of these historic recordings, is without a doubt, this latest one from Analogue Productions and the sound is unassailable.

Michael Fremer  |  Jul 24, 2020  |  8 comments
Suave, swinging and exuberant, Michael Weiss’s self-produced Soul Journey sounds something like a big band playing on a Blue Note Records date, but it’s really a small ensemble making like a big one thanks to Weiss’s deft, harmonically-rich, rhythmically neck-snapping arrangements and free-spirited yet tightly drawn, well-meshed performances by the three man veteran horn section of saxophonist Steve Wilson, trumpet and flugelhorn player Ryan Kisor and trombonist Steve Davis.

Michael Fremer  |  Jul 28, 2020  |  13 comments
This previously unreleased March 9th 1959 session recorded at Rudy Van Gelder’s Hackensack home studio is a “must have” for Blue Note “completists”, especially for those with an affinity for car and plane crash videos. If you are just getting into the rich Blue Note catalog, your money is best spent elsewhere as this session, despite the stellar group, often sounds listless and forced. Grooves get glossed over in favor of speed.

Michael Fremer  |  Sep 03, 2020  |  11 comments
This agreeable set of standards sung by Louis Armstrong backed by the Oscar Peterson Quartet, then consisting of Herb Ellis, Ray Brown and Louis Bellson recorded at the then new Capitol Studios, L.A. in 1957 but not released in stereo until 1959, was a follow-up of sorts to the highly successful Norman Granz-produced Ella & Louis (Verve MGV-4003) recorded August of 1956.

Like this set, there Armstrong and Fitzgerald were backed by the Oscar Peterson Quartet, but with Buddy Rich drumming instead of Louis Bellson.

Michael Fremer  |  Sep 09, 2020  |  12 comments
Miles Davis's second collaboration with arranger/orchestrator Gil Evans (and the first recorded in stereo) is arguably the duo's best effort—a majestic, moody re-working of George Gershwin's classic folk opera recorded in three summer of 1958 sessions at Columbia's 30th street studios.

Michael Fremer  |  Sep 17, 2020  |  4 comments
There’s no better time than now to release a live performance of Civil War era “lifeline” spirituals dedicated to Harriet Tubman, an escaped slave herself, who is best known as an “Underground Railroad” organizer personally responsible for smuggling to freedom hundreds of slaves, first to the North and then after the passage of the Fugitive Slave Act in 1850 that allowed the recapture of freed slaves in non-slave states, to Canada.

Ty Webb  |  Sep 28, 2020  |  2 comments
In this, the 250th anniversary of Ludwig van Beethoven’s birthday, Yarlung Records offers a recording worthy of the master, a delectation from the Janaki String Trio that was originally recorded in 2006 in Zipper Hall. The sonics are as inviting as the playing.

Nathan Zeller  |  Oct 11, 2020  |  8 comments
We find ourselves during the ongoing pandemic abstaining from pleasurable activities like hanging out on the street. Listening to the 1970’s power pop group Big Star will one day help ease the way back to that once taken for granted lifestyle.

Discovering older musical acts like Big Star is for a child of the 21st century like me mostly a matter of pure luck. I happened upon Big Star’s song “Thirteen” on an episode of “That ‘70’s Show” airing on Netflix. That tune, a captivating piece of tender musical perfection, led me to discover Big Star the group and boy, am I thankful for that!

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