AAA Vinyl

Sort By: Post DateTitle Publish Date
Michael Fremer  |  Oct 27, 2020  |  34 comments
Talk about bad luck: Love And Theft Bob Dylan’s first album in four years, his 43rd (at the time, including live and studio) and the follow up to the million-selling, triple-Grammy Award winning (including “Album of the Year”) Time Out of Mind had a September 11th, 2001 drop date. Buildings dropped instead.

Michael Fremer  |  Nov 12, 2020  |  17 comments
One ferocious and one mellow, these two John Coltrane albums dropped last month by Verve in association with Acoustic Sounds serve as both a great intro for the unfamiliar and as possibly the best sounding versions of both and of course affordable too.

Michael Fremer  |  Nov 17, 2020  |  16 comments
“I have to admit that this (D2D) recording technique was completely unknown to me before. When I ultimately realized what it entailed, I had mixed feelings at first.” So admitted Jakub Hrusa, the Bamberg Symphony’s 39 year old Czech-born conductor, who joined the orchestra in 2016. Based on the stunning musical and sonic results it was well worth whatever trepidation resulted from the decision to proceed with the recording of Czech-born Bedrich Smetana, which took place July 2th/26th, 2019 in Bamberg, Germany’s Joseph-Keilberth-Saal concert hall. (please forgive the lack of proper accents over the names).

Michael Fremer  |  Dec 18, 2020  |  9 comments
As a value proposition the 2016 “The Philips Years” seven LP box set covering all of Nina Simone’s recorded output between 1964 and 1967 can’t be beat. Digitized at 96/24 resolution at Abbey Road using the original master tapes and well-pressed at Record Industry, the seven LPs sound very good. However!

Michael Fremer  |  Jan 26, 2021  |  16 comments
This limited to 1000 copies lavishly packaged "one-step" edition of John Coltrane's Lush Life sold out shortly after it was announced. Did you miss anything? If it's a favorite, probably. I hesitated to review it, much like I don't review The Electric Recording Company's limited editions that almost immediately sell out upon release announcement, but given Craft's uneven release history (unlike that of ERC), a review seems appropriate.

Michael Leser Johnson  |  Feb 23, 2021  |  2 comments
Over the last 40 years, Giulio Cesare Ricci’s Fonè record label has been slowly churning out limited audiophile “one stage” (the same basic process as MoFi’s one-step) records using an all-analog chain. These Pallas-pressed recordings of classical, jazz and various other types of acoustic music are limited to 496 copies each. Why 496 specifically? Because Ricci is fond of the number, that’s all. Fonè is clearly a labor of passion and love for Ricci as he not only runs the label, but serves as his own recording and mastering engineer.

Michael Leser Johnson  |  May 16, 2021  |  23 comments
In May of 1913, just one year before the start of the first World War, Igor Stravinsky premiered his third ballet with the Ballets Russes in Paris: Le Sacre du printemps (The Rite of Spring). The premiere would go down in history for a number of reasons, primarily due to the unruly Parisian audience that descended into what could be referred to as a riot. What was so scandalous about the Rite? Stravinsky, along with choreographer Vaslav Nijinsky, wanted to evoke a picture of Russia from the distant, pagan past. A story of an ancient pagan rite where a young maiden would be chosen to dance herself to death to appease the ancestors and secure a bountiful harvest. The music, while stylistically not a huge departure from Stravinsky’s two previous and successful Parisian ballets, was dissonant, brutal, and rhythmically disorienting. Likewise, Nijinsky’s choreography was rigid, and was meant to mimic the flat, two-dimensional style of prehistoric paintings. The audience that night was not having it, but their uproar helped launch the Rite into infamy, helping it to become one of the most talked about and often performed works of the 20th century.

Michael Fremer  |  May 17, 2021  |  163 comments
Is it possible to now write anything that hasn’t already been written or said about this record? I haven’t any fresh insights to offer that might advance what you probably already know. A good Kind of Blue pressing puts you in the 30th Street studio to hear the performance. Ashley Kahn’s “Kind of Blue” book sets the pre-recording stage, offering both musical and technical details and puts you as much in the control room as in front of the band.

Michael Fremer  |  May 24, 2021  |  25 comments
Fifty one later Déjà vu still delivers a powerful musical, lyrical and sonic jolt, especially on this newly remastered 50th anniversary set that includes the original record on 180g vinyl mastered by Chris Bellman, cut using the original master tape.

Michael Fremer  |  May 27, 2021  |  54 comments
"La Nevada" means "snowfall" but the opening track of this Gil Evans classic begins as a musical desert mirage of a distant train that approaches slowly, with you sitting on the tracks directly in its path. As the train gets closer (and louder) the repeated simple four bar riff grows in intensity adding growling, snarling brass and reeds drivers by Ron Carter's and Elvin Jones's insistent yet slinky rhythmic drive. Aside from the trombone section's part being notated, the performance is improvised, a highlight being Ray Crawford's guitar searing the left channel behind which trombone locomotive horns warn you to get out of the way, but by then it's too late and the music runs you over!

Michael Fremer  |  May 30, 2021  |  10 comments
Some people collect Tone Poet Blue Note reissues the way some people amass baseball cards. I know more than a few Tone Poet enthusiasts who, after buying one, had a Bert Lahr Lay’s potato chip moment and couldn’t stop buying them—at least until they encountered the late pianist/composer/arranger Andrew Hill’s Blue Note debut Black Fire (ST-84151/B0029975-01).

Michael Fremer  |  Jun 01, 2021  |  72 comments
Seven years ago (2014) Sony/Legacy reissued for Record Store Day a swell version of Paul Simon's Still Crazy After All These Years, mastered by Ryan K. Smith at Sterling Sound and pressed at RTI. It was positively reviewed on this site.

Simon Guile  |  Aug 18, 2021  |  14 comments
With a career spanning more than six decades, Herbie Hancock is one of the most treasured names in jazz. From his early days with Blue Note, to his last release (2010’s The Imagine Project), there are more than a few of his impressive 46 albums that people consider to be favourites. My personal favourite however, is the fusion classic, 1973’s Headhunters.

Michael Leser Johnson  |  Sep 24, 2021  |  19 comments
Those browsing the classical vinyl reissues on various audiophile websites may have encountered a few peculiar releases from a Korean label known as Analogphonic. The small label has been pumping out limited reissues of vintage classical recordings since 2012. The records are mastered by various engineers in Europe or North America but are always AAA and pressed at Pallas records in Germany.

Michael Fremer  |  Sep 29, 2021  |  22 comments
The Yardbirds original "Shapes of Things" took the protest song—a surprising departure from the group's blues-based output— as a smartly rendered military march with mild middle eastern undertones. Jeff Beck played on the original but here for his first solo outing he led with a slinky, heavily syncopated version that presaged by a few years Led Zep's heaviest of metal. The song's conclusion, a rhythmic meltdown to a complete stop was something altogether new to rock fans. Needless to say, back in 1968 buyers of this record had minds blown, in part thanks to the great Ken Scott's impeccable engineering skills and of course by much of the world's first exposure to Rod Stewart.

Pages

X