Beatles

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Michael Fremer  |  Sep 09, 2014  |  27 comments
While the 108 page book included in the The Beatles in MONO box set can't compare with the more sumptuous 252 page one included with the stereo box set, it is a fun read and more a fun look. It's filled with great pictures and especially advertisements, press reviews and tape box and internal notes images.

Particularly interesting are Harry T. Moss's cutting notes for some releases. I wish they'd have shown them all but that's probably something only geeks would wish to see (in other words count us all in).

Michael Fremer  |  Aug 29, 2014  |  65 comments
The Beatles in Mono arrived today. This evening listening will begin but this afternoon analogplanet.com editor Michael Fremer opened the box and physically inspected.
Michael Fremer  |  Aug 26, 2014  |  23 comments
A visit to Czech Republic-based GZ Media recently published on a website includes an un-captioned photo of a large stack of the upcoming Beatles Mono box sets. This has flooded analogplanet.com's "inbox" with emails from readers, some inquisitive, some hysterical and a few spewing expletives.

Michael Fremer  |  Jun 25, 2014  |  37 comments
Analogplanet received one of the first Ortofon 2M MONO Special Edition cartridges developed by the company in cooperation with Universal Music Group as a tribute to the upcoming Beatles "Back to Mono" box set.

Michael Fremer  |  Jun 16, 2014  |  First Published: Jun 15, 2014  |  191 comments
Apple Corps and Universal Music Group today announced the September 8th release date (September 9th in North America) of the long-anticipated Beatles’ mono vinyl reissue series, cut to lacquer using the original analogue master tapes.

Michael Fremer  |  Oct 23, 2018  |  36 comments
If you want to quickly know if you’re going to like Giles Martin’s The Beatles remixes start with “Long, Long, Long”. If you don’t like that one, you’re probably not going to like the rest, but for me, that remix in particular is far superior to the one on the two original “Top Loader” U.K. pressings I have: more transparent and more spacious, with a holographic George front, center and three-dimensional as he’s not presented on the original.

Michael Fremer  |  Nov 19, 2013  |  16 comments
“I don’t object to people inheriting or having a big lot of money I never did but I do object to people being stony broke and starving”.—John Lennon
Michael Fremer  |  Sep 07, 2014  |  24 comments
Before leaving for a long planned mid-February 1968 trip to India to meet with Maharishi Mahesh Yogi (a/k/a “Sexy Sadie” but not back then) The Beatles began work on “Lady Madonna”, the gorgeous “Across the Universe” and the now somewhat obscure “The Inner Light”, which was chosen as the “Lady Madonna” “B” side but only because Lennon wasn’t happy with “Across the Universe” for reasons known only to him and not to anyone else because everyone else loved it.

Michael Fremer  |  Apr 30, 2013  |  5 comments
Woody Allen famously said "80% of success is showing up." 16 year old recording engineer/producer Ken Scott showed up at EMI Studios less than a week after writing a letter requesting a job interview. He "passed the audition" and was rewarded with a job in EMI's tape library.

Michael Fremer  |  Sep 06, 2014  |  33 comments
Rubber Soul was released on Friday, December 3rd 1965 three short years after The Beatles first entered Abbey Road Studios and met George Martin. It was their fifth album and the final one engineered by Norman Smith who was promoted a few months after Rubber Soul’s release to EMI’s A&R (artist and repertoire) Dept.

Michael Fremer  |  Jan 26, 2016  |  24 comments
Music re-mixes may not be as complicated or as critical as brain surgery but when it comes to The Beatles, you could make the case.
Michael Fremer  |  Nov 16, 2012  |  30 comments
As expected, Rubber Soul, sourced from George Martin's 1987 16 bit, 44.1k remix sounds like a CD. Why should it sound like anything else? That's from what it was essentially mastered.
Michael Fremer  |  Sep 02, 2014  |  19 comments
"Product", "Filler", whatever you want to call it, the appropriately titled Beatles For Sale was a "have to meet the two album a year schedule" interim album due out for the 1964 Christmas season—a hodgepodge return to covers, George really asserting his country and western licks, John feeling his inner Bob Dylan, John and Paul channeling the Everly Brothers, Ringo given a real chance to stretch out in the percussion department and Paul rocking, rolling and screaming on reissue and breaking your heart on one of his achingly beautiful ballads.

Michael Fremer  |  Apr 30, 2004  |  0 comments

This interview with George Martin was conducted in July of1998 and was originally intended for The Tracking Angle. Unfortunately, we ceased publication before it could be run. It appeared later in Art Dudley’s wonderful Listener magazine, also sadly defunct. Martin was in New York on a media tour publicizing In My Life his farewell production. It wasn’t particularly well received in the press, but it was what Martin wished to do, and that was good enough for him and for me. Meeting Martin was a memorable experience that I shall never forget.

The hotel door cracks open and you're startled to see Sir George Martin has answered your knock, looking just as you've seen him in the photographs, only taller and even more imposing. He welcomes you sincerely, in a polished voice that's soothing yet terribly aristocratic and proper sounding.

Foolishly, involuntarily, (and you hope surreptitiously) your eyes momentarily lose contact with Martin's to dart around the room looking for those other familiar faces always in the photos. You lock onto Martin's eyes, which say to you, "Don't worry. We're used to it. You're not the only one who's looked."

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