Our first 2024 installment of Review Explosion Short Cuts includes a trio of fine new 1LP releases from the cool Radiohead side project knows as The Smile, the latest, hi-fi-sounding album from indie faves Guided By Voices, and the debut LP from East L.A. “souldies” pioneers Thee Sinseers. Read Mark Smotroff’s combo-platter review to see if any, or all three, of these new LPs belong in your collection. . .
In the circles of soul music fans, Isaac Hayes’ seminal June 1969 LP Hot Buttered Soul is well-known as a landmark recording, an album that helped break down conventions of what a hit soul recording could be. This four-song album originally went gold on the Enterprise label, but Craft Recordings just may have taken Hot Buttered Soul to new aural heights with their recently released AAA Small Batch 180g 1LP edition. Read Mark Smotroff’s review to see if the Small Batch version of this seminal soul LP belongs in your collection, STAT. . .
Plangent Processes is again at the center of a pair of new Grateful Dead reissues that were released by Rhino back in January: a) July 1977’s Top 30 hit LP Terrapin Station and July 1987’s Top 10 smash In the Dark — and now we’re finally getting around to reviewing them here together. Read Mark Smotroff’s review to see if either or both of these new LP editions of Terrapin Station and In the Dark — supervised and produced by noted Dead archivist David Lemieux, and mastered for vinyl by David Glasser — belong in your collection. . .
The Move, in their heyday — which was roughly 1967-71 — were quite popular in England and in Europe, despite never quite breaking through in a big way here in the States. Even so, The Move’s reputation has since continued to grow in stature — and their celebrated, hard-to-find sophomore LP, February 1970’s Shazam, has just been reissued by Esoteric Recordings. Read Mark Smotroff’s review to see if the Esoteric update of Shazam belongs in your collection and on your turntable. . .
Some fans of progressive rock legends Yes tend to overlook their self-titled July 1969 debut album — but they really shouldn’t. Luckily, Yes is newly available as part of Rhino’s “Start Your Ear Off Right” campaign on cobalt-blue vinyl, and it’s housed in a gatefold package that faithfully reproduces the pop-art stylings of the original UK edition. Read Mark Smotroff’s review to see how this new 2024 SYEOR version of Yes stacks up with the 2019 AAA RSD version. . .
Craft Recordings’ new four-disc 40th anniversary deluxe edition box set celebrating the timeless, self-titled April 1983 debut LP from Violent Femmes, Milwaukee’s pioneering folk-punk trio, has as its centerpiece an AAA version of the original LP along with one additional LP full of demos and another LP with choice of-era live material, plus a bonus 7-inch single. Read Mark Smotroff’s review of this near-undefinable, infectious slab of post-new-wave, post-punk classic combined with a sizable collection of bonus material all adds up to a worthwhile analog spinning-and-listening investment. . .
In February 1977, Elektra released Marquee Moon, the debut LP by New York’s groundbreaking art rock group Television — but finding a good-sounding vinyl copy of such an acclaimed album has historically been a bit of a challenge. But now, the new AAA 180g 1LP Rhino High Fidelity (RHF) edition of Marquee Moon may have just changed that distinction forever. Read Mark Smotroff’s review to see if this RHF edition finally helps Marquee Moon achieve the untethered, uncompromised, and uncompressed all-analog glory it so richly deserves. . .
When Steely Dan’s Gaucho came out in November 1980 on MCA, it was at a time when that label was notoriously cutting corners, and quality control suffered. Fast-forward four-plus decades to the here and now, wherein we have a new 180 1LP edition of Gaucho to consider, one that’s been remastered by Bernie Grundman from a 1980 analog tape copy originally EQ’d by Bob Ludwig. Read Mark Smotroff’s review to see if this new vinyl edition of Gaucho is worth putting on your turntable. . .
Right from the opening notes, Green Day’s new Saviors LP sure sounds like it could be the kind of record for today’s generation that balances strong social sentiment with catchy songwriting. But just how good does it actually sound on vinyl? Read Mark Smotroff’s review to see if Saviors makes the LP SQ grade. . .
Musician, composer, singer, and producer Zach Condon has somehow found a way to mesh the sounds of pump organs, real acoustic horn sections, ukuleles, drum machines, world-beat oriented percussion, and synthesizers into a distinctive blend that is immediately identifiable as the group called Beirut — a sound that bears a genuinely international flair processed through adventuresome recording situations. Read on to find out why ace reviewer Mark Smotroff feels Beirut’s new album Hadsel may be Condon’s most complete statement to date and why it’s so well-suited to spinning it again and again on vinyl. . .