Welcome back to the third installment of our ongoing Review Explosion series, Short Cuts edition! This time, we have three new jazz releases sharing some common threads that connect the artists in question, yet are about as different as night and day. Read on to see what Mark Smotroff has to say about a pair of excellent new AAA Bill Evans Trio and Miles Davis Quintet OJC studio 180g 1LP reissues, plus a legendary lost archival live John Coltrane With Eric Dolphy 2LP set — but note that the latter release comes with one important caveat. . .
Universal ushers in a new era of limited-edition Pete Townshend solo 180g 1LP reissues with a pair of Abbey Road Studios half-speed-mastered editions: 1) Rough Mix, Pete’s September 1977 collaboration with Ronnie Lane, and 2) April 1980’s Empty Glass. Read Mark Smotroff’s combo review to see how these two new half-speed-mastered versions stack up with the originals. . .
The once-buried archival recordings that comprise Frank Zappa’s new 180g 2LP set Funky Nothingness are not just the components of a lost album, but more of an insightful transitional link into FZ’s compositional mindset. This new album also connects many musical dots between the aftermath of FZ’s October 1969 landmark jazz fusion masterpiece Hot Rats and October 1970’s Chunga’s Revenge — and beyond. Read Mark Smotroff’s review to see just how quickly Funky Nothingness should jump to the front of your LP listening queue. . .
Welcome to our second installment of Review Explosion Short Cuts! Here in Vol. 2, we tackle three more LP releases worthy of your attention: 1) Billy Joel’s Live At The Great American Music Hall, 1975, a 2LP RSD 2023 title that had proven somewhat elusive to obtain until recently; 2) the 20th anniversary 2LP reissue of acclaimed soul giant Solomon Burke’s Grammy-winning 2002 album Don’t Give Up on Me; and 3) Blood Harmony, the latest 1LP release from Larkin Poe, those great blues-rockin’ guitar-slingin’ sisters of Southern origin. Read Mark Smotroff’s triple-play review to get the full scoop on all three of these highly recommended LPs. . .
Tears For Fears’ synth-centric March 1983 debut album The Hurting set the stage for the broader scope of their ensuing worldwide mega-breakthrough. This key album is now being properly feted with a 180 1LP reissue from Mercury/UMC, as half-speed mastered by Miles Showell at Abbey Road Studios. Read Mark Smotroff’s review of the fine new 40th anniversary edition of The Hurting to see just how Tears For Fears laid the groundwork for their still-innovative soundscapes. . .
For the first time in many decades, XTC’s October 1978 sophomore album Go 2 is available again on vinyl, this time as a limited-edition 200g 2LP set via Ape House that includes the ever-elusive companion Go+ EP of dub remixes on its own disc. Read Mark Smotroff’s review to see why this new, expanded edition of Go 2 is worth both the time and listening investment. . .
Alice Cooper ascended to rock royalty with the raw punch and power of a pair of impactful back-to-back albums, November 1971’s Killer and June 1972’s School’s Out. Realizing that just reissuing the original LPs in simply remastered form was not going to be quite enough to properly celebrate the golden anniversaries of these two landmark records, the Warner/Rhino braintrust have seen fit to include a bounty of bonus materials on both 180g 3LP collections including live recordings, alternate takes, demos, and single mixes. Read Mark Smotroff’s combo review of a pair of now-expanded seminal Alice Cooper albums made better with their respective 50th anniversary vinyl editions. . .
Our latest Review Explosion Short Cuts extravaganza focuses on three prime, and quite diverse, Record Store Day 2023 releases — namely, an LP’s worth of Wrecking Crew drummer Hal Blaine’s late-’60s psychedelic explorations, a live 2LP release from the ever-brilliant funky-quirky Captain Beefheart and The Magic Band, and a solo 1LP Prefab Sprout production from Paddy McAloon, the main driver of one of England’s greatly underrated pop outfits. Read on to get Mark Smotroff’s take on a trio of fine RSD 2023 releases you are going to want to track down for your own listening enjoyment, forthwith. . .
How can an album that has been included in numerous greatest albums of all time lists made by an artist inducted into the Grammy Hall of Fame remain so elusive that its original pressings are still in high demand? Luckily, Craft Recordings has made that point somewhat moot by releasing an all-analog 180g reissue of Albert King’s seminal August 1967 LP Born Under A Bad Sign. Read Mark Smotroff’s review to see why this new Craft edition is an absolutely essential addition to your blues LP listening collection. . .
Geffen/UMe has just released a new 180g 1LP version of Steely Dan’s sophomore album, July 1973’s Countdown to Ecstasy. Read our intrepid reviewer Mark Smotroff’s take on this new-to-2023 version of Ecstasy and how it compares to an original 1973 black-label copy as well as the album’s vintage quad edition. . .