Album Reviews

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Michael Fremer  |  Apr 01, 2008  |  0 comments

This lovely set of intimately arranged and meticulously recorded covers, originally issued in 2000, is precisely the kind of semi-obscure album in need of a quality all-analog reissue.

Michael Fremer  |  May 01, 2005  |  0 comments

Even if you generally find Jones's voice too nasal, too cat-like, too small, too thin, too whiney and especially too nasal, her cool, slinky and smartly laid-back vibe on this impeccably arranged and played double LP set will surely win you over.

Michael Fremer  |  Mar 01, 2009  |  0 comments

Calling Ricki Lee Jones’s Pop Pop an “enduring” audiophile classic would be an understatement, though getting a copy on vinyl has been difficult until now.

Michael Fremer  |  Jun 29, 2018  |  30 comments
The irony wasn't lost on Stones fans when ABKCO and Universal simultaneously issued Rolling Stones vinyl box sets back in 2010. ABKCO, which owned the group's British Decca-era catalog, hired legendary mastering engineer Bob Ludwig to handle mastering of its catalog while Universal, which controlled the group's own label, released a box set with no mastering credits.

Michael Fremer  |  Sep 01, 2006  |  0 comments

Former child star and Rilo Kiley front-gal Jenny Lewis may present herself as a latter day Charo, but she’s not afraid to plant serious concerns within her art, both in Rilo Kiley and in this earnest solo setting backed by Louisville natives The Watson Twins.

Nathan Zeller  |  Apr 28, 2021  |  6 comments
“Peace and love” is the defining mantra of Ringo Starr, one of two surviving Beatles. It’s sappy, cheesy, and agonizingly overused, but in all seriousness, it’s a message the world desperately needs. Though there’s a lot to hate, love is, in my mind, the true meaning of life. Keep in mind, I say this having learned it from others, namely the musicians I admire. Ringo, now 80 years old (he really doesn’t look it), is one of many who gather conclusions from a long, rich life. It’s here, on this EP, where the superstar shares his wisdom.

Michael Fremer  |  Mar 01, 2010  |  0 comments

The indie rocker Sufjan Stevens brings a surprising and delightful buoyancy and sense of wonderment to his orchestral suite commissioned by the Brooklyn Academy of Music to celebrate the 25th anniversary of its “Next Wave” Music Festival. The original debut performances were in November of 2007.

Michael Fremer  |  Feb 01, 2012  |  0 comments

A funny thing happens as you age: time compresses. When I was 20, music from the 1940s seemed old. Robert Johnson was positively pre-historic, and to my ears the sound was equally cobwebbed. Oh, like everyone else, I bought CL 1654 after seeing it on the cover of Bringing It All Back Home and reading one of the breathless cover dissections in a magazine. Back then every cover prop "meant" something. 

Michael Fremer  |  Jan 29, 2018  |  15 comments
Howard Stern is probably today's best interviewer still standing now that Charlie Rose is sidelined, though his recent Robert Plant sit-down was among his least effective. Stern was so looking forward to having Plant in the studio that he sort of forgot why Plant agreed to visit in the first place. Plus his usually crack research team dropped the ball.

Michael Fremer  |  Mar 16, 2003  |  0 comments

By the end of the '70s, rock was dead, prog-rock had grown grotesquely self-indulgent, and the angry punk/new wave deconstruction had begun. It was a long-overdue musical cleansing. The Sex Pistols and The Clash were at opposite ends of the dividing line: one unabashedly stupid, the other worldly and literate. The late Joe Strummer was anything but working class, but he kept his upper-class roots tightly wrapped beneath a veneer of growling anger and disgust. He was hardly alone in towing the image line.

Michael Fremer  |  Dec 01, 2011  |  0 comments


No, this is not up there with After School Session or Berry is on Top but this Chuck Berry album, his first after being released from prison for having violated the Mann Act (transporting minors across state lines to have sex) and issued as Beatlemania swept the world, has plenty of hits along with a lot of filler.

Michael Fremer  |  Apr 01, 2008  |  0 comments

This 1962 release is a pick-up session plain and simple, made interesting by the presence of the adventurous multi-instrumentalist Roland Kirk and the always-tasteful pianist Tommy Flanagan&#151not that the snare-popping Haynes isn’t a superb and exciting drummer and Henry Grimes doesn’t acquit himself well on bass.

Michael Fremer  |  Apr 01, 2011  |  2 comments

Still, some might find the new records too aggressive. I’m not in that group, but it sounds as if Mr. Grossinger mastered the original LPs, manipulating the tonal balance as he saw fit, whereas it sounds as if the GZ folks just took the files they were sent and cut. I’m just surmising that. It could be the ‘soft’ lacquer versus the ‘hard’ copper.

Michael Fremer  |  Feb 01, 2008  |  0 comments

Sonny Rollins sparring with Freddie Hubbard (title tune only) backed by the reunited Coltrane drum’n’bass section of Elvin Jones and Jimmy Garrison sounds like an enticing lineup for this May, 1966 session at Van Gelder’s and it is!

Michael Fremer  |  Feb 03, 2014  |  4 comments
Though she's lived for decades in New York City, Rosanne Cash remains connected genetically, spiritually and otherwise to her southern roots. Cash was born in Memphis, Tennessee in 1955 but in 1961 her parents moved to California. Rosanne remained there with her mother Vivian Liberto Cash and three sisters after the couple divorced in 1967.

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