Album Reviews

Sort By: Post DateTitle Publish Date
Randy Wells  |  Sep 22, 2012  |  7 comments
When Diamond Life burst onto the scene in 1984/1985 it provided a calm oasis. This was not post-punk or techno-pop. This was an album of lush and lovely music with smooth jazz moods and world beat underpinnings. Superficially cool, the Latin tempos trapped in the grooves simmered with a passion just waiting to explode.
Michael Fremer  |  Nov 04, 2017  |  5 comments
Pianist Jamie Saft's trio recorded a well-received, sonically superb 2014 album called New Standard. If you need a group or individual backgrounder, please hit that hyperlink.

Michael Fremer  |  Feb 01, 2009  |  0 comments

The contrast between this Sam Cooke playing a tiny Miami stop on the Chitlin circuit and the one who showed up at New York�s Copacabana the next year couldn�t put the singer�s flip sides into greater relief.

Michael Fremer  |  May 08, 2014  |  10 comments
Sam Records is a one man, Paris, France-based operation began in 2011. The one man is Fred Thomas, who has self-professed interests in both jazz and photography. He also obviously is a man who cuts no corners and who believes in authenticity.

Michael Fremer  |  Oct 18, 2016  |  18 comments
Best known to American Miles Davis fans as side one of the twelve inch Columbia Records LP release Jazz Track (CL1268), Ascenseur pour l’échafaud (“Elevator to the Scaffold”), the jazz soundtrack to the Louis Malle film was originally released in France in 1958 on the Fontana label as a 10” LP.

Michael Fremer  |  Jan 28, 2019  |  8 comments
Sam Records just issued a never before released series of absolutely rocking live performances by the under appreciated American-born tenor/soprano saxophonist and flutist Nathan Davis (1937-2018).

Michael Fremer  |  Apr 18, 2017  |  17 comments
Music composed for films is by definition precisely timed and intended to mirror or at least complement the on screen action. Of course that’s not always how its accomplished, especially when the hired musicians are not trained film composers.

Michael Fremer  |  Nov 12, 2015  |  13 comments
The golden gatefold cover art of Samantha Crain's Under Branch & Thorn & Tree makes clear that this is not a collection of "good times" tunes, but one is still left unprepared for the relentlessly bleak stories of betrayal, despair and desolation Crain delivers in an often pain-wracked voice that's somehow wrapped in a soothing, mesmerizing balm.

Michael Fremer  |  Apr 01, 2009  |  0 comments

Recorded at L.A.’s famed United Recorders June 6th and 12th 1963 and arranged by Gerald Wilson (Anthony’s dad) for the spare and daring combo of organ, trumpet, tenor sax and drums, this Sarah Vaughan set of mostly familiar standards will confound your expectations with every note.

Michael Fremer  |  Oct 11, 2021  |  31 comments
(Update: I was wrong. These were cut from files and not from tape. The information I received was not clear. Some of the commenters are correct and I was wrong. I am always happy to end up with egg on my face to get correct facts published. These digital transfers are the best I've heard. I'm leaving the review "as is".. Brief and to the point: This is a previously unreleased Sarah Vaughan fan “must have” double LP set recorded at the Berlin Philharmonie November 9th, 1969 with Vaughan sympathetically backed by a trio of relative unknowns: Johnny Veith on piano, Gus Mancuso on bass and Eddy Pucci on drums. Mancuso’s story is fascinating and worth a read. You’ll have to fend online for yourself for more about the others.

Michael Fremer  |  May 01, 2007  |  0 comments

Not having to include picture with sound gave the compilers of this 4 LP box set latitude Martin Scorsese did not have when he made his Dylan bio No Direction Home: The Soundtrack.

Michael Fremer  |  Aug 01, 2006  |  0 comments

I think there’s a recent interview with these guys online but I don’t want to read it. The less I know the better.

Mark Smotroff  |  Oct 14, 2022  |  18 comments

Your decision as to whether you need the second volume in the 1950s trilogy of recorded collaborations between Ella Fitzgerald and Louis Armstrong — October 1957’s Ella And Louis Again — may depend on how much of a fan you are of the Great American Songbook and vocal jazz in general. Read on to see if this 180g 2LP offering from Verve and Acoustic Sounds whets the audiophile palate. . .

Greg Hill  |  Jul 01, 2010  |  0 comments

The Fleet Foxes are a new band from Seattle. Put aside any associations you might have with grungy histrionics. Imagine instead a small band of Blue Ridge mountain refugees spending a good long while in remote, lush forests where they smoothed away the rough edges and filigree notes of their musical forefathers while gathering up ideas from key times (the 60’s) and places (Laurel Canyon, rural England) to create their own, incantatory sound.

Michael Fremer  |  Aug 01, 2003  |  1 comments

You won’t be buying these two LPs for their sonics. Primitive television show soundtracks from a Compton, California based local program recorded before an appreciative live audience, provide listeners with a “way back machine” glimpse of another time, and seemingly another universe—especially when you consider the music for which Compton’s currently best known.

Pages

X