The Fleet Foxes are a new band from Seattle. Put aside any associations you might have with grungy histrionics. Imagine instead a small band of Blue Ridge mountain refugees spending a good long while in remote, lush forests where they smoothed away the rough edges and filigree notes of their musical forefathers while gathering up ideas from key times (the 60’s) and places (Laurel Canyon, rural England) to create their own, incantatory sound.
You won’t be buying these two LPs for their sonics. Primitive television show soundtracks from a Compton, California based local program recorded before an appreciative live audience, provide listeners with a “way back machine” glimpse of another time, and seemingly another universe—especially when you consider the music for which Compton’s currently best known.
The history of recorded music is as long as it is terrific. While that may sound wonderful, I can assure you there are strings attached.
Today’s mainstream artists face an originality problem, one which many musicians feel no desire to solve— though there are some current exceptions including Jacob Collier, Kendrick Lamar, and Vulfpeck. Few lack the passion required to create something that is truly their own, but among those who do is 22 year-old Canadian Shawn Mendes—one of five under-the-age-of-18 artists in Billboard album chart history to debut at #1. On Wonder, his latest album, Mendes chases that very passion.
A trio of new releases share some wonderful and often heartfelt aesthetics across a variety of genres, dance music-infused sounds, personal identity, and artistic freedom, and we’re covering all three of them today together under our Short Cuts album review banner. Read Mark Smotroff’s roundup review of three wonderful LPs from the always adventurous female singer Lady Blackbird, chart sensation and vocal marvel Chappell Roan, and a full live concert reissue from the vaults of the late, legendary dance music pioneer Sylvester. . .
A new 140g 1LP reissue series from Elemental Music that’s officially been dubbed the Motown Sound Collection has been underway since this past May, so it’s high time we’ve gotten around to covering some of the LPs that have come out under its umbrella in the interim. Read Mark Smotroff’s Short Cuts review to see how five Elemental-reissued vintage Motown titles from The Jackson 5, Marvin Gaye, The Temptations, Smokey Robinson & The Miracles, and The Supremes all fared on his turntable. . .
Our first Short Cuts combo-review entry of 2025 covers six recent blues reissues — five from the Bluesville Series from Craft Recordings, plus one archival release issued on RSD 2024 by Deep Digs/Elemental Music. Read Mark Smotroff’s Short Cuts combo review to see how many of these fine 180g LP offerings from Albert King, Jimmy Reed, Lightnin’ Hopkins, Skip James, Blind Gary Davis, and B.B. King belong in your collection. . .
There is something incredibly compelling about Elemental Music and UMe’s ongoing, affordably priced, and generally well-made reissue series of classic Motown titles. Read Mark Smotroff’s latest Motown Short Cuts combo review to see which of these 140g 1LP editions of classic LPs from The Temptations, Diana Ross and The Supremes, Smokey Robinson, Gladys Knight & The Pips, and Eddie Kendricks belong in your collection. . .
The name Sun Ra and the term “free jazz” can conjure up all manner of strange musical imagery, especially amongst those unfamiliar with his music. Alternate identifiers such as “free improvisation” and the more umbrella-like “modern jazz” might ease those anxieties, but the reality is, a lot of Ra’s spirited music is not as random and difficult as some might think. Read Mark Smotroff’s Short Cuts combo review that focuses on five new and recent 180g Sun Ra-centric vinyl releases that we hope will intrigue listeners to explore this fascinating artist’s music with fresh ears and open minds. . .
Original blues vinyl pressings are cousins to jazz and soul LPs in terms of scarcity and availability in super-clean condition, just a few of the reasons why they are often super-expensive propositions in the collector’s marketplace. That all makes these four truly outstanding Acoustic Sounds-pedigreed reissues from Verve/UMe and Craft Recordings’ Bluesville series all the more important — in effect, bringing a quartet of classic LP rarities back into more widespread availability in a high-quality manner. Read Mark Smotroff’s Short Cuts combo review to see which of these four 180g 1LP AAA releases from John Lee Hooker, Lightnin’ Hopkins, Mississippi John Hurt, and Lonnie Johnson With Elmer Snowden belong in your collection. . .
In our latest Short Cuts LP review roundup, Mark Smotroff catches up on some fun rockin’ albums from artists past and present, including Boston’s The Remains; Staten Island, New York’s Ron Dante (i.e., the voice of The Archies!); Kalamazoo, Michigan’s Michigander; and Dayton, Ohio’s Guided By Voices. . .
DJ Format (aka Matt Ford) is a hiphop DJ and producer from Brighton, England. DJ Shadow (aka Josh Davis) is a hiphop DJ and producer from Sacramento, California. Brighton and Sacramento; not the first urban centers you think of in relation to groundbreaking hiphop production. Format and Shadow, however, are at either end of a 25 year continuum of atmospheric instrumental beats. DJ Shadow’s 1996 debut Endtroducing….. which got a half-speed remastered 25th anniversary edition last month, was composed completely from samples, a methodology shared with DJ Format’s latest LP from 2021 Devil’s Workshop.
Grammy award winning Yarlung Records out of Los Angeles California has been releasing classical music albums on CD, LP, and R2R tape since as far back as 2006, but they had somehow managed to escape my radar. Better late than never, as they possess all the ingredients necessary to delight readers of this website; including a dedication to minimalist analog recording techniques, and the curation of the finest up-and-coming classical talent working today. This label is run by people (primarily producer and engineer Bob Attiyeh) who care deeply about classical music, and are connected to first rate performers, particularly those who orbit the many concert halls of the greater Los Angeles area. In addition to running a record label, Yarlung also has an associated nonprofit called Yarlung Artists which focuses on getting promising new artists started on their touring career.
Reunited with his old friend, producer and engineer Roy Halee, Paul Simon delivers an imaginative and vital record—his most fully realized since Graceland., though its musical complexity and mood more closely resemble Rhythm of the Saints”
When Frank left Capitol to start his own Reprise label, his old label made a push to reap the old catalogue's financial benefits. Frank fought back by recording in April of 1963 this album of big Capitol hits with arrangements by Nelson Riddle. Sinatra knew the tunes well, laying them all down live with orchestra in two days.