Album Reviews

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Michael Fremer  |  Mar 16, 2003


Perhaps, in a perfect audiophile world, Shel Talmy would have arranged to remix these three-track originals to analog for the LP release and to digital for the CD. But this isn't a perfect world. However, compared to my original American Decca "stereo" pressing of The Who Sings My Generation (Decca DL 74664), this is perfection. The original stereo edition was an electronically reprocessed, boxy-sounding compressed mess. While purists may have preferred it in mono, the stereo remix found in My Generation (Deluxe Edition) is respectful and keeps most of the action centered, avoiding hard-left and -right separation. I did get a chance to hear an original UK Brunswick mono pressing, and this reissue has nothing to be ashamed of.

Michael Fremer  |  Nov 03, 2019
You know what they say about audiophiles: only interested in what sounds good, music comes in distant second place or they repeatedly play the same few records, etc. You’ve heard the bad raps. Yet here’s a box set of vintage (read “old”) recordings digitized and processed that’s brought more inquiries into my inbox than many so-called “audiophile” recordings.

Michael Fremer  |  Apr 20, 2022
For an artist who passed away at a relatively young age (51) Bill Evans left a rich and varied recorded legacy—more music on disc than even the most dedicated Evans fan could possibly consume, yet more rare and often precious gems continue to be discovered and released, particularly by Resonance Records, whose Co-President Zev Feldman is a huge Evans fan.

Michael Fremer  |  Aug 01, 2007

Critics are probably not supposed to like the kind of retro-kitsch proffered by The Puppini Sisters, a trio of unrelated gals based in the UK, though one of them, Marcella is a Puppini, or at least goes by the name.

Michael Fremer  |  Jan 01, 2007

There’s so much to recommend here, starting of course with Gerry Mulligan. There’s also a great deal to live up to, given the legendary “Gerry Mulligan Meets….” series on Verve from the 1950’s, one of which (Gerry Mulligan Meets Ben Webster) is reviewed elsewhere this month.

Michael Fremer  |  Sep 01, 2007

Wilco’s return to intimately drawn electro-acoustic folk and away from electronic experimentation gives the latest outing a comforting organic coherence and an intensely direct sense of musical purpose. The more tightly constrained concept yields greater discipline and a compelling concentration of useful ideas, tune after tune.

Michael Fremer  |  Jun 22, 2003

Friday afternoons around 4PM, after a hard week’s schooling back in 1968, my roommates and I at Cornell University engaged in a particular ritual: one of us would go into the garage behind our rented house and retrieve our well-hidden pot “stash.” The most skilled roller amongst the 4 of us would produce a doobie, and then we’d smoke away our tensions while listening to? Charles Lloyd’s Forest Flower (Atlantic SD 1473), recorded live at the 1966 Monterrey Jazz Festival.

Mark Smotroff  |  Oct 21, 2023

Created with direct input from label founder Marshall Chess, VMP’s The Story of Cadet Records almost entirely AAA 180g 8LP super deluxe box set is a welcome addition to the analog fold. The eight albums offered herein — including rare titles from the likes of Muddy Waters, Etta James, and Ramsey Lewis — are a healthy cross-section snapshot of the expansive sounds Cadet was pursuing as the mid-1960s exploded both socially and musically. Read Mark Smotroff’s review to see why The Story of Cadet Records is worth the investment. . .

Mark Smotroff  |  Nov 10, 2023

In retrospect, Tom Waits’ trajectory from singer/song writer to down-beaten jazz-fueled street person scowling at the piano in the 1970s made perfect sense. But when he came out of the gate in the early 1980s, his transformation was almost as dramatic as David Bowie’s Ziggy Stardust reinvention. Five new of-era 180g 1LP reissues from Island/UMe — namely, 1983’s Swordfishtrombones, 1985’s Rain Dogs, 1987’s Franks Wild Years, 1992’s Bone Machine, and 1993’s The Black Rider — all seek to remind us of just how fertile this period was in Waits’ overall canon. Read Mark Smotroff’s Short Cuts combo review to see if any or all of these new wonderful Waits reissues belong in your collection. . .

Mark Smotroff  |  Nov 15, 2023

Our latest Review Explosion Short Cuts serving tackles a trio of fine new LP sets thematically connected by a common love of British rock of the 1960s and ’70s. Included herein are an archival 2LP live set from The Flaming Lips circa 2003, a recent 1LP studio offering from the ever-prolific Guided By Voices, and the first official solo sojourn LP from acclaimed Irish singer/songwriter/producer Thomas Walsh. Read on to glean Mark Smotroff’s take on these wonderful LP sides that are collectively chock full of melody and imagination. . .

Mark Smotroff  |  Mar 22, 2024

Our first 2024 installment of Review Explosion Short Cuts includes a trio of fine new 1LP releases from the cool Radiohead side project knows as The Smile, the latest, hi-fi-sounding album from indie faves Guided By Voices, and the debut LP from East L.A. “souldies” pioneers Thee Sinseers. Read Mark Smotroff’s combo-platter review to see if any, or all three, of these new LPs belong in your collection. . .

Mark Smotroff  |  Apr 18, 2024

It’s not often you get new titles from three legendary artists of yesteryear like gospel icon Sister Rosetta Tharpe, piano virtuoso Art Tatum, and soul-jazz organ pioneer Brother Jack McDuff all released on the same day. But this year, all three of them are being celebrated on Record Store Day 2024 — this year’s first installment of which happens to fall on this upcoming Saturday, April 20 — with newly unearthed, previously unreleased, multidisc live concert recordings on 180g black vinyl. Read Mark Smotroff’s review of all three of these releases to see which one, or ones, belong on your “must have” RSD 2024 shopping list. . .

Mark Smotroff  |  Apr 27, 2024

We here at AP had pretty fruitful, respective Record Store Day 2024 ventures last Saturday, and we hope you did too! In Part 1 of his RSD 2024 review roundups, Mark Smotroff tackles a pair of excellent multidisc live LP releases from Talking Heads and Fleet Foxes, so read on to see if either/both belong in your own RSD-related collections. . .

Mark Smotroff  |  Aug 30, 2024

Released in the 1970s and ’80s by legendary jazz producer/impresario Norman Granz, albums on the Pablo Records label were often lush-sounding affairs — and now, all these years later, Analogue Productions has seen fit to reissue and remaster many of the label’s key titles as 180g LPs, all cut at QRP. Read Mark Smotroff’s Short Cuts combo review of a trio of Pablo titles — one each from Count Basie & His Orchestra, Count Basie Big Band, and Duke Ellington and Ray Brown — to see just how essential these three LPs are to have in your collection. . .

Wayne Shelor  |  Nov 01, 2010

Rock ‘n’ roll historians invariably trace the roots of the now-expansive, constantly morphing music to a Mississippi bluesman named Robert Johnson, a 1930s guitarist who ostensibly made a deal with the devil – trading his mortal soul for stellar talent - one night at a rural intersection (a “crossroads”). Johnson’s canon of songs, bolstered by his pioneer legacy and dark mythology, is embraced universally as being instrumental to the very structure of rock ‘n’ roll.

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