Features

Malachi Lui's Top 50 Albums of the 2010's (+ Honorable Mentions & Playlists)

For this list, there is no introductory statement that won’t come across as overly self-absorbed and politically bitter, so I’ll just indulge: despite barely being 4 years old at its beginning, I acknowledge that the 2010’s were a complete mess. Disastrous elections, racism, religious and regional intolerance, war, and climate change all contributed to our current feeling of impending doom, yet music remained brilliant. As it’s now “best albums of the decade” list season, to retain our reputation as an excellent music criticism website that doesn’t blindly overrate Vampire Weekend, of course we’re joining the action! Each of our two regular writers will post their top 50 albums of the decade lists, potentially followed by an AnalogPlanet team list with annotations. Before the main top 50 list however, there are several honorable mentions that, for one reason or another, aren’t in an AOTD conversation but are nonetheless enjoyable. Below are the honorable mentions listed in order of how their representing songs appear in the attached Tidal, Spotify, and YouTube playlists (sorry, Apple Music users and Endless fans):

The “KI” stands for Ken Ishiwata, and ruby

It’s been a while since I’ve posted an AnalogPlanet playlist, mostly since I’ve busied myself with many other projects. But because it’s the holiday season, it’s only appropriate to bring, with a selection of my Christmas favorites, some holiday fun on here. There’s a mix of the normal picks (Nat “King” Cole’s “The Christmas Song” and the Vince Guaraldi Trio’s A Charlie Brown Christmas) and some seasonal tracks from a couple of my favorite artists (Tyler’s “Lights On,” the White Stripes’ “Candy Cane Children,” and the David Bowie/Bing Crosby collab) as well as some “how did anybody let this happen?!?!?!” Christmas songs (Dylan’s “Must Be Santa” and Eilert Pilarm’s rendition of “Blue Christmas”). Below are Tidal, Spotify, and YouTube playlists (sorry, Apple Music users) followed by commentary on each song. (Note: David Bowie and Bing Crosby’s “Peace On Earth/Little Drummer Boy” isn’t on the Tidal playlist. The record label made every effort to delete the song’s original version from streaming services in favor of the far inferior “modernized” London Symphony Orchestra-overdubbed version.)

stmas-music">Continue Reading »

Features

Malachi's Mat Mishegas: Felt Mats From Rega, Pro-Ject and Audio-Technica Malachi Lui | Sep 19, 2018 | 38 comments

Felt mats have never been known for audiophile-grade sound, but how do they fare against each other? Can you hear differences among them?

-pro-ject-and-audio-technica">Continue Reading »

Features

Marantz Debuts KI Ruby SACD Player/DAC and Integrated Amplifier at Amsterdam’s Concertgebouw Michael Fremer | Aug 30, 2018 | 10 comments

Members of the European press plus AnalogPlanet.com editor Michael Fremer and The Absolute Sound’s Julie Mullins were invited to the launch of two new Marantz limited edition products celebrating the 40th anniversary of legendary Marantz “Brand Ambassador” Ken Ishiwata’s association with the company. The event was held inside famed Concertgabouw rather than at Marantz’s Eindhoven, Netherlands European headquarters.

is the gemstone associated with 40th anniversaries. Each of the products is limited to 1000 and are considered “collector’s items”. For those who don’t know Ken Ishiwata or the nature of his Marantz relationship, this video will provide the answers. Ken says it’s the first time he’s discussed the history.

c-and-integrated-amplifier-amsterdam%E2%80%99s-concertgebouw">Continue Reading »

Album Reviews Features

Mark Dawes's Top Five LPs 2021 Mark Dawes | Dec 31, 2021 | 5 comments

These five excellent vinyl releases from 2021 include a five LP box set and a double LP, so you really get TEN albums for the price of five! If that doesn’t make you want to read on, I give up—come on, I’m killing myself here! You’re driving me out of business! But seriously folks, on the topic of money—I buy all my own records, so please be assured that none of these are promo copies and these recommendations are my personal choices from the crop of 2021.

Reading »

Features

Masterdisk Mastering Engineer Don Grossinger on the Cutting of the Smile Lacquers Bill Taylor, New York Musician magazine | Jan 31, 2005 | 0 comments

This interview was conducted by New York Musician Magazine's Bill Taylor, and originally run there. We reprint it thanks to
Thanks also to Don Grossinger for gettting it for Musicangle.com.

BT: What was your participation on the project?

DG: I did all of the vinyl mastering and some of the QC work to make sure the test pressings were up to par.

BT: How did you get the project? I was recommended by Bob Ludwig who had mastered the CD for the project and Joe Gastwirt who had worked on many Beach Boys projects with Mark Linett. Bob didn't do it himself because he no longer has a lathe. This is the second project he's sent to me. He sent the Rolling Stones' remastering for vinyl work, the new SACD masters, to me as well.

BT: Did you do the whole Brian Wilson album or just a few selected cuts?

DG: It was more than the whole album, actually. The whole CD consists of three suites which are 47 minutes long in total. Each of the sections took one side of the album. The fourth side, which I EQ'd and mastered from scratch, consisted of bonus tracks. These were 4 instrumentals of some of the songs that were on the album as vocals. These tracks will only be on the vinyl release, not the CD.