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Optimal Media recently announced a new "ecco-friendly" vinyl pressing package along with other environmentally friendly options for vinyl clientele wishing to minimize or eliminate their contribution to carbon-based pollution.

After two COVID-19-induced delays, Record Store Day 2020 is finally (sort of) happening. Instead of the usual huge event, in an attempt to “socially distance” RSD, the releases will drop on three Saturdays over as many months. These “RSD Drops” occur August 29, September 26, and October 24, and in my opinion might fail the social distancing test. In particular, the August 29 drop has huge releases with diverse audiences; I predict that this first drop will be rather busy, leaving the latter two far emptier. I’ll be lining up early at Music Millennium on August 29 (last year’s event at Everyday Music was unsuccessful) for a large set of releases. Here are this year’s most noteworthy RSD items:

Arriving October 16th in multiple formats and configurations, Wildflowers & All the Rest features the original 1994 Wildflowers album, newly re-mastered and cut directly from the original ½” analog master tapes by Chris Bellman at Bernie Grundman Mastering and pressed at Record Industry in The Netherlands, plus unreleased tracks, solo demos, live performances, alternate versions and more—many of which were sourced from analog tape but then of necessity digitized..

AnalogPlanet readers need to introduction to this groundbreaking album, Coltrane's first for Atlantic recorded shortly after his participation in Kind of Blue. The packaging and presentation are "first class" and include a booklet with new, never before seen photos and an essay by jazz historian Ashley Kahn. The jacket and label art replicate the original's.

This just in: Pat Metheny’s complete ECM catalog of 11 albums, which includes Bright Size Life, Offramp, and 80/81, will be available for the first time on July 31st as high-resolution masters for download and streaming.

The Emil Berliner Studios Direct-to-Disc recording team supervised by Rainer Maillard, responsible for the D2D Brucker 7th symphony with Bernard Haitink conducting the BPO, shipped its entire disc cutting system exactly one year ago to Bamberg, Germany (the first time the gear had left Berlin) to record for Accentus Music at Konzerthalle Bamberg, Joseph-Keilberth-Saal D2D at 45rpm Czech composer Bedřich Smetana’s symphonic cycle “Má vlast” (My Homeland), best known for including “Vitava” (“The Moldau”), with The Bamberg Symphony, conducted by its musical director Czech-born Jakub Hrůša.